Thursday, July 29, 2010

Giving themselves away at every moment...

A luminous summer evening. Dancers slip through breezecloudsmusic at the river's edge. I still get a powerful little thrill as I look through my photographs.


We Give Ourselves Away at Every Moment: An EVENT for Merce

July 26, 2010--First anniversary of the death of Merce Cunningham

"...we come together to nod in his direction through the ritual of dance itself."

Rockefeller Park, Battery Park City esplanade

a program of the River to River Festival, co-presented by Arts World Financial Center and the Battery Park City Authority

featuring choreography by Jon Kinzel, Lucinda Childs, Susan Marshall, Faye Driscoll and Bill T. Jones. Live music by David Eggar, Geoff Hersh and Kotchy.

curated and produced by Annie-B Parson and Will Knapp

Saturday, July 3, 2010

The Met: up on the roof and elsewhere



All photos (c)2010, Eva Yaa Asantewaa

Most shots were taken at Doug + Mike Starn's Big BambĂș: You Can't, You Don't, and You Won't Stop installation in the Iris and B. Gerald Cantor Roof Garden, Metropolitan Museum of Art. On view through October 31, weather permitting. Read about this exhibit here and here.

Also of interest this summer at the Met:

Picasso's exhilarating linoleum cuts, which finally made me skid to a halt, heart aflutter, as I tried to race through most of Picasso in The Metropolitan Museum of Art. I'm going back and taking a much longer look at everything but, in particular, those exciting prints. Through August 15.

American Woman: Fashioning a National Identity. My guilty pleasure, only because I discovered that I love that drapey, delicately glittery, Isadora Duncan-ish Bohemian look (1900s) and could barely pull myself away from that particular room in the exhibit. Just call me a femme-inist!

Hipsters, Hustlers, and Handball Players: Leon Levinstein's New York Photographs, 1950-1980. Grit and wit. Levinstein's spontaneity inspires me:
In my photographs, I want to look at life--at the commonplace things as if I just turned a corner and ran into them for the first time. (Leon Levinstein, 1954)
Through October 17.

Metropolitan Museum of Art